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<channel>
	<title>perez infante</title>
	<link>https://perezinfante.com</link>
	<description>perez infante</description>
	<pubDate>Wed, 06 May 2020 01:14:52 +0000</pubDate>
	<generator>https://perezinfante.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Featured Projects</title>
				
		<link>https://perezinfante.com/Featured-Projects</link>

		<pubDate>Sun, 19 May 2019 16:01:28 +0000</pubDate>

		<dc:creator>perez infante</dc:creator>

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	<item>
		<title>TAIRA: Exhibition at Museo Precolombino</title>
				
		<link>https://perezinfante.com/TAIRA-Exhibition-at-Museo-Precolombino</link>

		<pubDate>Sun, 19 May 2019 16:01:29 +0000</pubDate>

		<dc:creator>perez infante</dc:creator>

		<guid isPermaLink="true">https://perezinfante.com/TAIRA-Exhibition-at-Museo-Precolombino</guid>

		<description>
	TAIRA: Exhibition at Museo Chileno Precolombino2017 – 2018










Exhibition Design and Production - w/ Mess


	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/9a6e9f8cdee2a79f8a517e95315d99f55efcfba1dfe9c1d7f713831326c20b54/IMG_0292.JPG" data-mid="42619528" border="0"  src="https://freight.cargo.site/w/1000/i/9a6e9f8cdee2a79f8a517e95315d99f55efcfba1dfe9c1d7f713831326c20b54/IMG_0292.JPG" /&#62;&#60;img width="5246" height="3497" width_o="5246" height_o="3497" data-src="https://freight.cargo.site/t/original/i/58dd7ac92533683e89ccaf77f2e821a3ec7e9279981fd3477a9ba8afef20cad7/Copia-de-Taira_S2_Altas-27.jpg" data-mid="42619500" border="0"  src="https://freight.cargo.site/w/1000/i/58dd7ac92533683e89ccaf77f2e821a3ec7e9279981fd3477a9ba8afef20cad7/Copia-de-Taira_S2_Altas-27.jpg" /&#62;
	Taira is an archaelogical site located around 75 kilometers to the
northeast of the city of Calama on the upper reaches of the Loa river, in the
north of Chile. The beauty, complexity and vitality of its rock art has few
parallels in prehistoric American art. 
The exhibition “TAIRA: The Dawn of Art in Atacama”&#38;nbsp; is the product of more
than 30 years of anthropological research. Art and Science are put together in
the Museo de Arte Precolombino, in the very heart of Santiago. Through
multimedia devices at the service of sensory stimulation and communication
objectives, the experience of this archaeological site and its narratives are
brought&#38;nbsp; to the visitors. They can contemplate the engravings and
paintings of Taira as a sublime manifestation of the dawn of art in Atacama
and, at the same time, as a fascinating foray into its comprehension. 



Taira seeks to share the beauty of the site, and consider its
extreme fragility as cultural heritage, and to gain an understanding of the
meanings and purpose of the creators of this works 2500 years ago. 








For this exhibition I lead the design and production. It remained open to public until May 2018 in Santiago, and then in Antofagasta in until January
 2019.
&#38;nbsp;Photos by Pablo Blanco ©





&#38;gt;&#38;gt; Website Museo Chileno de Arte Precolombino





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	The Chakana, a constellation that resembles the Llama, 
descends from the skies to the Loa river, where precious water emerges form the mountain, a few steps away from the site. &#38;nbsp;



&#60;img width="1654" height="1103" width_o="1654" height_o="1103" data-src="https://freight.cargo.site/t/original/i/562ede3449a3d40641b4d2416d0dd6c717b79b3826c3a39db601adc91cae577b/Copia-de-Taira_Altas-23.jpg" data-mid="70229606" border="0"  src="https://freight.cargo.site/w/1000/i/562ede3449a3d40641b4d2416d0dd6c717b79b3826c3a39db601adc91cae577b/Copia-de-Taira_Altas-23.jpg" /&#62;
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	<item>
		<title>Le Great White North</title>
				
		<link>https://perezinfante.com/Le-Great-White-North</link>

		<pubDate>Wed, 18 Sep 2019 20:39:26 +0000</pubDate>

		<dc:creator>perez infante</dc:creator>

		<guid isPermaLink="true">https://perezinfante.com/Le-Great-White-North</guid>

		<description>Le Great White NorthSep-Oct 2019&#60;img width="1200" height="602" width_o="1200" height_o="602" data-src="https://freight.cargo.site/t/original/i/ddd7988f755db5697e8977c1d52b36c6f51c9016a4f54a9bc7fdc28c90e034ed/_DSF6106-copy.jpg" data-mid="52010376" border="0"  src="https://freight.cargo.site/w/1000/i/ddd7988f755db5697e8977c1d52b36c6f51c9016a4f54a9bc7fdc28c90e034ed/_DSF6106-copy.jpg" /&#62;&#60;img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/f75ab2efd0b50f87fd40134233f7a2780654fd1c73f60904c258a5e44d869355/WhatsApp-Image-2019-10-07-at-7.59.58-PM.jpeg" data-mid="52204034" border="0"  src="https://freight.cargo.site/w/1000/i/f75ab2efd0b50f87fd40134233f7a2780654fd1c73f60904c258a5e44d869355/WhatsApp-Image-2019-10-07-at-7.59.58-PM.jpeg" /&#62;LGWN is a site specific installation/performance that explores the politics of remembering and belonging within the context of
Québec's tourist industry, engaging with the souvenir as archive and medium.
 


LGWN opens a space for
reflecting upon and challenging the aestheticization, commodification, and
reductionist simplification of the Quebec experience that is projected by the
images sustained by souvenir objects. The installation investigates them as
cultural artifacts that double as an archive of the myths of the past and a
tool in building the imagined present.



During
6 weeks, the space was open to the public, who could design and create their
own mugs, as a collective attempt at remembering otherwise.&#38;nbsp;The installation-boutique offered a first corpus of original
souvenir mugs created by the artists that remix and re-imagine the iconic
images that have historically been used in the branding of Quebec culture.
Developed in collaboration with the writer and artist Sophie
Kuijper Dickson, Le Great White North was exhibited at TOPO Laboratory for
Digital Writings, Montreal, from Sep 6th to Oct 18th, 2019. 












❄❅❆❅❄&#38;nbsp;
&#38;gt;&#38;gt; Instagram&#38;nbsp; &#38;gt;&#38;gt;TOPO`s website 


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	<item>
		<title>Bicho</title>
				
		<link>https://perezinfante.com/Bicho</link>

		<pubDate>Tue, 14 Apr 2020 20:04:27 +0000</pubDate>

		<dc:creator>perez infante</dc:creator>

		<guid isPermaLink="true">https://perezinfante.com/Bicho</guid>

		<description>BICHO: Prosthetic Hearing Device for Enhanced Spatial ExplorationPerformatic/ve Device
June 2019
Montreal


Prototyping BICHO

&#60;img width="1589" height="894" width_o="1589" height_o="894" data-src="https://freight.cargo.site/t/original/i/f6a157721f1d7701e4bb50d53d79cde132adfe9ffe135236c9ba7c28aa857444/Slide1.jpg" data-mid="66976686" border="0"  src="https://freight.cargo.site/w/1000/i/f6a157721f1d7701e4bb50d53d79cde132adfe9ffe135236c9ba7c28aa857444/Slide1.jpg" /&#62;
BICHO is a prosthetic hearing device for enhanced
spatial exploration, a wearable artifact that seeks to
“question the surface of a visual world”i by expanding
our aural perception. The artifact allows us to discover
the unapparent frequencies, sounds and signals that
surround us, and to interact with them as me move in
space.

						
BICHO is an analytical and a musical instrument, as it
involves creative audio production and spatial
exploration. As we move, “hidden frequencies“ can be
discovered and manipulated.

	
		
		
	
	
		
			
				
					
						
Beyond its musical possibilities, BICHO addresses the affective
and political aspects of sound.

						
Sound connects us with the exterior world, and strongly impacts
our relations with human and more-than-human entities, and with
the environment. By prompting an augmented physical experience
of site, this artifact allows us to actively intervene in the
production of space, as co-habitants within this augmented
soundscape. In this way, this project seeks to highlight and
engage with the realm of the affects in/of sound.

						
In parallel, Bicho inquires about sound and other waves as a
fundamental elements in the shaping and reshaping of social
space. From their invisible domains, audible and inaudible
frequencies – more or less subtle forms of information–, are
constantly sharing (or disputing) the territory with us, maybe
eliciting some worlds and denying others.

					
				
			
		
	



i Salomé Voegelin, Sonic Possible Worlds: Hearing the Continuum of Sound, 2014

					
				
			
		
	








&#60;img width="1589" height="894" width_o="1589" height_o="894" data-src="https://freight.cargo.site/t/original/i/9327d4d491490bcd3c6f14a492f62b3def77352086df6d5cc7f74a9534ca052c/Slide7.jpg" data-mid="66976690" border="0"  src="https://freight.cargo.site/w/1000/i/9327d4d491490bcd3c6f14a492f62b3def77352086df6d5cc7f74a9534ca052c/Slide7.jpg" /&#62;
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</description>
		
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	<item>
		<title>Cope:code</title>
				
		<link>https://perezinfante.com/Cope-code</link>

		<pubDate>Wed, 06 May 2020 01:14:52 +0000</pubDate>

		<dc:creator>perez infante</dc:creator>

		<guid isPermaLink="true">https://perezinfante.com/Cope-code</guid>

		<description>Cope:code
	


	
What is rhythm? “We are only conscious of most of our rhythms when we begin to suffer from some irregularity. It is in the psychological, social, organic unity of the ‘perceiver’ who is oriented towards the perceived, which is to say towards objects, towards surroundings and towards other people, that the rhythms that compose this unity are given”
Henri Lefebvre, 2004
	


	*Cope:code* is a multi-location performance and collaboration with the scholar Niels Jørgen Gommesen. The project explores and experiments with rhythms and sounds of everyday practices that have emerged during the coronavirus pandemic, as a way to establish new affirmative relationships.&#38;nbsp; The artists will collect footage from friends to create an audiovisual piece that explores the affective dimensions of rhythm.Since the outbreak of the pandemic, we’ve all been forced to adjust ourselves to new rhythms. By necessity – be it material, physical, spiritual or of any kind –, in order to cope with the current conditions, we have started to engage with new activities, and new sounds and rhythms have become part of our sonic environment. Carefully listening and playfully engaging with them, the emerging patterns and rhythms offer the possibility to speculate about sonic futures, coming into being as a result of mutual exchanges of sound and interactions across time and borders.&#38;nbsp;
	Through coding and exploration of patterns in TidalCycles, “a language environment for exploring algorithmic pattern - Alex McLean”, and through sampling, beat-mapping, and analog sound synthesis and processing, the aim of the performance is to communicate and interact, with and through each others’ everyday rhythms, and make different sounds and sonic environments resonate and communicate with each other.
Some of the questions we are trying to shed a light on through our explorations: what happens when we make different locations and milieus communicate with each other through sound and listening?&#38;nbsp; How can this network collaboration help to nurture new collaborative practices for making and exploring sonic patterns and music, for listening and rethinking relations between sound, place and body? How are sonic bodies enacted and materialized through our situated, connected yet distanced bodies? What musical possibilities do these interactions foster? What’s the scope and agency of sonic fictions?We presented cope:code at the 
Network Music Festival in July 2020, and is an ongoing exploration.

	
 
</description>
		
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	<item>
		<title>ismos</title>
				
		<link>https://perezinfante.com/ismos</link>

		<pubDate>Mon, 11 Nov 2019 15:15:23 +0000</pubDate>

		<dc:creator>perez infante</dc:creator>

		<guid isPermaLink="true">https://perezinfante.com/ismos</guid>

		<description>ismosMusic Project



	

Ficciones (Full album)


x0&#38;nbsp; (Music video)

	Solo musical project ismos delves deeply into various pop music forms. 
While influenced by old-time AM radio love tunes, folklore, and early-synth experimental music, ismos’ lyrical stylings and metrics are a
tribute to&#38;nbsp; Chilean and Latin-American folklore.

ismos’ first album&#38;nbsp;Ficciones&#38;nbsp; is a collection of seven songs that bring together lyrical elements from the “canto a lo poeta” – a tradition from the central valleys of Chile–, and Latinamerican poetry. Within the forms of pop music, Ficciones proposes ethereal atmospheres that come from 80’s synthezisers and field recording.

























Ficciones credits:Produced by Angelo Santa Cruz (x0, Proverbio, Grl) and José dal Pozzo (QAyO, Tendrías, De papel, Cacharpalla)
Masterized by Nicolás Godas and Abraham Vicencio at Estudio Feeling.
Art by Simón Sepúlveda.
Photography Camila Reyes.


Santiago de Chile, 2018-2019






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</description>
		
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	<item>
		<title>Migratoria</title>
				
		<link>https://perezinfante.com/Migratoria</link>

		<pubDate>Fri, 27 Sep 2019 18:19:48 +0000</pubDate>

		<dc:creator>perez infante</dc:creator>

		<guid isPermaLink="true">https://perezinfante.com/Migratoria</guid>

		<description>MigratoriaDec 2018

	


	This video-essay seeks to contribute
to the existing body of critical works on sharing economies. Migratoria explores how the ideas of
community, belonging, and territory operate in these platforms, and reflects on some underlying discourses in the dynamics
of physical and virtual self-presentation (and the encounter of both!),
pair-surveillance, and mediation. 




When I arrived to Montreal in 2018, I
spent almost two months looking for a place to live, making an intense use of a
number of searching tools, sites and sharing economy platforms, biking over 400km and invading
many strangers’ intimate spaces. As a newcomer, I was
permanently confronted with patterns of discrimination, and measured against a
new normativity.
Migratoria is an exercise of
story-telling: the story of my quest, but more importantly, the story of an
embodied and mediated self performing the quest for belonging.


</description>
		
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	<item>
		<title>Never Discuss Politics at Home: the TV Show</title>
				
		<link>https://perezinfante.com/Never-Discuss-Politics-at-Home-the-TV-Show</link>

		<pubDate>Sat, 21 Sep 2019 01:35:26 +0000</pubDate>

		<dc:creator>perez infante</dc:creator>

		<guid isPermaLink="true">https://perezinfante.com/Never-Discuss-Politics-at-Home-the-TV-Show</guid>

		<description>Never Discuss Politics at Home: the TV ShowExperimental Audiovisual - In collaboratio with TOMA
June 2017 - Feb 2018
Melbourne - Santiago





&#60;img width="492" height="358" width_o="492" height_o="358" data-src="https://freight.cargo.site/t/original/i/2e920ebd04aa001ab99d7287ab256e8a1568ec66eba19a0b88394d16b6ff5916/Web-ND-tv-show-v2-lite.gif" data-mid="52186109" border="0"  src="https://freight.cargo.site/w/492/i/2e920ebd04aa001ab99d7287ab256e8a1568ec66eba19a0b88394d16b6ff5916/Web-ND-tv-show-v2-lite.gif" /&#62;




















Never Discuss Politics at Home, the TV Show! is an architectural
-and experimental- TV show that explores the relation between domesticity,
global conflicts and media, through the development of a fictional TV
programming of a fictional territory. The project was funded by the Graham Foundation Grant for Advanced Studies, in
the Fine Arts, awarded to Grupo TOMA in 2016. 

NDP@H seeks to question and subvert the complex figure
between contemporary global socio-territorial conflicts, mass media, domestic
space and our discipline. NDP@H proposes to re-explore the enormous
communicative capacity of architecture through a hand-made domestic-television
format, in order to construct critical narratives about the most relevant
territorial conflicts.
The general structure of the project is based on the action of zapping, and
it’s developed as short TV capsules to navigate through, arranged in 8
episodes. Its realization was accomplished with several international
collaborations from artists, achitects and activist.








» NDP@H Site
»Youtube Channel» Graham Foundation grant
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</description>
		
	</item>
		
		
	<item>
		<title>Especulopolis. Chicago Architecture Biennial 2015</title>
				
		<link>https://perezinfante.com/Especulopolis-Chicago-Architecture-Biennial-2015</link>

		<pubDate>Sat, 21 Sep 2019 01:15:30 +0000</pubDate>

		<dc:creator>perez infante</dc:creator>

		<guid isPermaLink="true">https://perezinfante.com/Especulopolis-Chicago-Architecture-Biennial-2015</guid>

		<description>EspeculopolisProject preseted at the Chicago Architecture Biennial - In collaboration with TOMA

Oct – Dec 2015

Chicago

				
			
		
	



&#60;img width="919" height="1301" width_o="919" height_o="1301" data-src="https://freight.cargo.site/t/original/i/6be1092599aa0453bafc6bdb47306adce46a4cf10b76953d5311a5a6371a9cf8/Slide06.jpg" data-mid="58309933" border="0"  src="https://freight.cargo.site/w/919/i/6be1092599aa0453bafc6bdb47306adce46a4cf10b76953d5311a5a6371a9cf8/Slide06.jpg" /&#62;&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/5ce8cdb2e741677a90004d9039c0ad4392111e1bb8ca24e29543580dfcbe5499/4.jpg" data-mid="51057878" border="0"  src="https://freight.cargo.site/w/1000/i/5ce8cdb2e741677a90004d9039c0ad4392111e1bb8ca24e29543580dfcbe5499/4.jpg" /&#62;The case study for ESPECULOPOLIS is Santiago de Chile,
the neoliberal city par excellence, shaped by the thoughts
of the ”Chicago Boys“, a group of economist indocrinated by Milton Friedman at the School of Economics of the University of Chicago. Their&#38;nbsp;
 ideas became prominently
influential during Pinochet’s dictatorship, allowing for the developement of experimental neoliberal policies which 
deeply&#38;nbsp;configurate Chilean society and cities today. In the context of the first Chicago Architecture Biennial, ESPECULOPOLIS exposed four ”urban crimes“ - four specific
territories from Santiago de Chile - to visualize&#38;nbsp; an historical process, offering an opportunity for
open discussion and reflection.

					
During 2 weeks, TOMA installed its office at the Chicago Architecture Biennial,
and developed three collective actions:

					

Cases Parliament: A scene filled with characters: historical facts and relevant actors that builds up a territorial cosmogony over the last 50 years.

					
Speculative Tribune: A collective newspaper. It contains
reflections on the contemporary city, declassified
documents, comments about the biennial, speculations
about possible post-neoliberal cities, photo reportages,
etc.

					
The Evidence Board and Archive: gathers information
detailing the history of neoliberalism in Santiago de Chile
and in the world. The Evidence Board organizes this
history and its manifestations in the urban environment.

				
			
		
	

&#38;nbsp; &#38;nbsp; » Article on ArchDaily&#38;nbsp;» Speculative Tribune #1 #2 #3 #4» Video #1 #2 #3
&#38;gt;&#38;gt;especulopolis.blogspot.com/



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	<item>
		<title>Furniture for Artesanías de Chile</title>
				
		<link>https://perezinfante.com/Furniture-for-Artesanias-de-Chile</link>

		<pubDate>Fri, 10 Jan 2020 04:10:02 +0000</pubDate>

		<dc:creator>perez infante</dc:creator>

		<guid isPermaLink="true">https://perezinfante.com/Furniture-for-Artesanias-de-Chile</guid>

		<description>Furniture for Artesanías de Chile










Jan-June 2015
Santiago&#60;img width="1620" height="600" width_o="1620" height_o="600" data-src="https://freight.cargo.site/t/original/i/6471e55d9b323b9f74da4e3aee09524e74658e8662446143ab81b0f001e9e185/IMG_20150719_185423470_HDR-copy-edit.jpg" data-mid="58148763" border="0"  src="https://freight.cargo.site/w/1000/i/6471e55d9b323b9f74da4e3aee09524e74658e8662446143ab81b0f001e9e185/IMG_20150719_185423470_HDR-copy-edit.jpg" /&#62;&#60;img width="4485" height="3139" width_o="4485" height_o="3139" data-src="https://freight.cargo.site/t/original/i/adfd9e1ca35b560ae46b13d3065fd20094e481f2da19e6304b9e2d40b3bcd310/IMG_6019.jpg" data-mid="58148460" border="0"  src="https://freight.cargo.site/w/1000/i/adfd9e1ca35b560ae46b13d3065fd20094e481f2da19e6304b9e2d40b3bcd310/IMG_6019.jpg" /&#62;Fundación Artesanías de Chile (Chilean Handcrafts Foundation) commissioned the design development and the educational program of the organization.



Here, artisans and craftsmen share their knowledge through hands-on public workshops. Tables, chairs and storage systems were crafted from steel, pine board and native wood. The artisanal spirit of the building process is reflected in the finished pieces, while they also fulfill the various needs of each workshop’s differing techniques and materials. The tables and cabinets are movable, and the chairs are stackable. They can be seen at Fundación Artesanías de Chile, Centro Cultural La Moneda, Santiago.&#38;nbsp;




This project was developed in collaboration with the designer Angelo Santa Cruz.


&#38;gt;&#38;gt; web ASC


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